Ladybox Books Summer Releases

We’re excited to announce the Ladybox Books summer releases, out July 15th!

These books are both written by Bay Area ladies with guts and talent in equal measure. We couldn’t be happier to have them on the Ladybox roster!

From the forests, beaches, and Xicano community of Santa Cruz to the smokey punk bars, strip clubs, and Queer-girl culture of San Francisco, these are the stories of being young, drunk, punk and Xicana in Northern California in the 90's.  Missy Fuego is an eighteen-year-old Xicana, the first in her family to leave home and accept a scholarship at a prestigious yet hippie university tucked away in the Redwood forests of the Santa Cruz mountains in 1996.  But scholarship money proves to be tough, and she has to moonlight as a stripper to pay the bills in

LIFE IS WONDERFUL, PEOPLE ARE TERRIFIC by Meliza Bañales

From the forests, beaches, and Xicano community of Santa Cruz to the smokey punk bars, strip clubs, and Queer-girl culture of San Francisco, these are the stories of being young, drunk, punk and Xicana in Northern California in the 90’s. Missy Fuego is an eighteen-year-old Xicana, the first in her family to leave home and accept a scholarship at a prestigious yet hippie university tucked away in the Redwood forests of the Santa Cruz mountains in 1996. But scholarship money proves to be tough, and she has to moonlight as a stripper to pay the bills in “the city,” putting her at constant odds with two developing worlds . Through her daily journey to get things done she manages to get entangled with a series of diverse and important people, dodging close-calls, neo-nazi skinheads, Xicano authenticity battles, Riot Grrl race politics, and hippies all the while exploring her Queer identity, getting paid through her thong, and learning to take a chance on herself.

PRETTY MUCH DEAD by Daphne Gottlieb

Beyond the surface glitter of tech wealth currently overwhelming cities like San Francisco are the interstice communities that have barely survived the onslaught. In the streets, in transient hotels and in rent-controlled buildings, the residents settle and search, trying to hold on in the city at the edge of the world.<br />
In these stories, Daphne Gottlieb chronicles inner and outer worlds, shedding light on the significance of a cat, the larger meaning of a parking ticket, the violent mutability of an indoor hurricane, and the contents of a bag as the owner stalks like a wounded tiger though the streets, dragging the memory of her objects through the collection itself. Artful, heartrending, clear-eyed and darkly magical, Pretty Much Dead is part fable, part witness, and part chorus with the voices that are only heard when they start to yell.

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